E flat major scale ionian2/23/2024 ![]() It's also very important to look at the quality of the third (is it minor or major?) When looking for a mode's characteristic tone(s) (the tones that give it its flavour and differentiate it from other modes), it's a good idea to first look at the tritone intervals and half step intervals. If an entire chord progression is in the key of G Major, for example, then we may easily build melodies out of the G Ionian mode! Just watch out for the 4th degree avoid note, in this case, C! Ionian's Characteristic Tones This makes the Ionian mode very useful in creating major key harmonies. Once again, the Ionian mode is made up of the same notes as the Major Scale! In a major key, the tonic coincides with the Ionian mode. It's dissonant with the third, but if you like, play it! Functionality Of course, “avoid” in “avoid note” is only a suggestion. That being said, the 4 and 11 can still find their way into chords (sus4 and extensions) and can be included for purposeful dissonant effect. By the same token, the major third clashes with the eleventh (flat ninth interval). Note that the 4th/11th scale degree of the Ionian mode is an “avoid note.” This is because the major third clashes with the perfect fourth (minor second interval). The Ionian mode yields one triad and one tertian seventh chord:Īlong with all the extensions beyond the major seventh chord, notably: Let's listen to the C Ionian mode against a droned C note: The modal chords of the Ionian mode Major Seventh (11 semitones above the root).Major Sixth (9 semitones above the root). ![]() Perfect Fifth (7 semitones above the root).Perfect Fourth (5 semitones above the root).Major Third (4 semitones above the root).Major Second (2 semitones above the root).
0 Comments
Leave a Reply.AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |